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WHAT DOES MUSIC MEAN TO YOU?

What do you love so much about music?

My passion for music has always been difficult to put into words. It’s more about the FEEL and the impact it had and still has on my life. Music is overrated, we trade it, we sell it I know it’s a business after all but we often forget the emotional bond that is created.

Most of the memories that we have in life have a soundtrack we link experiences to sounds, it is scientifically proven that music evokes memories. We overcome our fears thanks to music, we fight against what we think is ‘unbearable’ thanks to music. Music is so much more than what we think it is. YES, The positive impact of music, that’s what I’m passionate about. That’s why I wanna keep representing artists who don’t wanna have their song on radio because of ‘money and fame’ BUT because they understood that getting into the mainstream market is chance for them to reach a wider audience and be a part of someone else’s life and memories. That’s my vision and that’s what I’m hoping to do with ProjectLightAgency.com.

What about you – What does music mean to you? Leave a comment below! 

by Charlotte Gomes 09-06-2016

Tora Woloshin

Tora Woloshin and Her Pop Revolution

The name Tora Woloshin may not ring a bell for the majority of mainstream music listeners, but she is definitely the kind of pop star that more people should be listening to nowadays. For those that do know her, probably discovered her during the debut season of X Factor USA, quickly becoming a favorite for Simon Cowell, and if there’s one person in the world that can truly spot talent, it’s the ever-so-blunt, veteran talent judge.

Prior to her X Factor premiere, she had gone through a series of auditions for Lucky Break, a singing contest spanning months on end that required her to quickly learn her songs. After making it to the final round, she had been called for the X Factor audition, driving back and forth between the two competitions. While that was chaotic to say the least, it was the moment of one of her greatest successes, winning Lucky Break and capturing the hearts of the X Factor judges and audience alike with her rendition of Jackson 5’s “I Want You Back.”

The globally recognized talent contest that recently lent its theme to the gaming industry with the upcoming launch of The X Factor Games as well as the hugely popular X Factor Board Game, helped Woloshin open up a world of opportunities, despite not making it that far along in the competition. From there, her fan base grew, ultimately signing with Fli Life Music, through whom she released her single with.

Her single “Guns & Roses” resonated with her fans and the music industry at large, but after witnessing the corrupt side of the business, she ended her contract with the indie label to write and produce her own music in hopes of collaborating with fellow musicians who share the same vision as her. Though Woloshin may not be recognized by the mainstream, she has already opened for acts like NeYo, toured with hip hop sensation B.o.B., and worked alongside Jay-Z.

Her style is a mix of pop, R&B and rock, which is will be highlighted in her current project, “XXVII.” With electronic dance music dominating the pop music scene, the LA born singer-songwriter tells American Pride Magazine, “I feel like trendy and contemporary is no longer current. Music is going to start going backwards, to the days of reality and live instrumentation. The soul will return.”

It’s refreshing to find an artist that refuses to hop on the EDM bandwagon, and with the release of her new album, Woloshin plans to ignite a pop revolution to bring life back into the genre.

Check out “Guns and Roses” by Tora Woloshin


 

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SEKAI NO OWARI

End of the World

If you want to see , experience and feel what the future of Music will be like then you need to play a few songs by Japanese Theatrical Band, The End of the World.

SEKAI NO OWARI (or End of the World) played to a sell out crowd at the Hollywood Roxy the other night and I was fortunate enough to be invited.
Prior to the show I had listened to a few songs by End of the World and even had done a few features on Coming Up, but nothing would have prepared me for what turned out to be one of the most amazing shows I have been to all year.

This was the first show in the USA for SEKAI NO OWARI and no one knew what to expect since most of their songs are in Japanese and tailored around a Japanese audience. But what transpired was a beautiful presentation of some of their, in my opinion, best tracks including Anti-Hero, Mr. Heartache, Death Disco and my personal favorite Dragon Night.


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In all the band played nine of their songs and were somehow able to capture the unique nuances of their recorded music that demonstrated just how truly talented this up and coming band really is.

Sure their English was not the best but that for me added to the uniqueness. To actually hear them sing their songs in English was beautiful as their attempt to communicate with audience in their broken English moved them from a highly produced performance act to humble artist who wanted nothing more than to connect with their audience and demonstrate their personal warmth and love for music and their fans.

Technically the band played flawlessly. The core band members were flanked by two additional members – one playing drums and the other playing electric and stand-up bass . These two additional musicians were wearing tapir masks – or even possibly alien head costumes which immediately made the show other worldly from the moment they took to the stage.

In all it was a fantastically rich show and I am so moved by the bands desire to broaden their fan base to include America. They may likely be the first J-Pop band that succeeds in the US and I would not be surprised if the next time they are here they are playing to sell out crowds at the Staple center or other larger arenas. They are that good.

Thank you SEKAI NO OWARI. Your music is spiritual and big enough to touch the world in ways perhaps you never expected.

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Shocking New Photos Of The Loch Ness Monster Captured By Tourists

Of all the various aliens, axe murderers and leprechauns that inhabit the realms of folklore and myth, there is none so ancient, enduring and captivating as that of the Loch Ness Monster.

More famous than Bigfoot, Chupacabra or the Jersey Devil, for untold years both locals and visitors to the placid highland waters have reported sighting a mysterious serpentine creature gliding through the lake before silently disappearing below the waves again.

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Of course, a gigantic Scottish plesiosaur is a difficult thing to miss, assuming that it does exist. There have been many attempts made in the past by scientists and sceptics to definitively prove or disprove once and for all the existence of the legendary creature. But despite using the most expensive radiographs and sonar available, there continues to be fresh footage and images of the purported animal even today. To see the latest sighting of Nessie for yourself, click here for more stories.

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Why it does not matter what is said. It’s all about who we think said it.

Secretary Hillary Clinton and Donald Trump have very different views on just about everything. Jimmy Kimmel always wonders about whether people are really paying attention to those issues or not. For the most part, he thinks it doesn’t matter what a candidate says, it just matters which candidate says it. To put this theory to the test, Jimmy Kimmel asked diehard members of Team Hillary if they agreed with some stuff Hillary has said. But the quotes  asked about were not from Hillary, they were actually quotes from Donald Trump. So check out if these Democrats agree with Donald Trump?

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Why Artist Should Embrace Who They Are

Having lived and worked with multiple artists, I now realize how difficult it is for them to find the right balance between their social life and their art. If you wake up in the morning and all you can think about is writing and playing music, know that you’re not alone.

If, when someone ask you ‘What do you do for fun’ the first thing that comes to your mind is being in the studio creating music, know that it is a beautiful thing and you shouldn’t feel bad, the way you are is a blessing.

Artists are incredible human beings who see the world through a different lens, they are vehicles of culture, they allow us to connect with other people on a deeper level. They strive to find the right words and sounds to express themselves and they end up creating stories that everyone can relate to. Therefore it makes total sense that they are not interacting the same way as ‘non creative’ people because they perceive things differently.

We live in a society where artists are misunderstood, we encourage creativity but we don’t take the time to understand how artists feel and process the world around them. I’ve been asked several times: How can I keep my creative space in a world that revolves around so much social expectations? Here are a few tips that will hopefully help you embrace the artist in you!

– Surround yourself with people who get it/ get you. 

It’s essential that people understand how you work, that you need your creative space, your desire to create/play music is deeply-rooted, it is a part of you and your circle should understand and respect the amount of time you dedicate to your art.


– Let go of social pressure / expectations

We won’t change the world over night. It is important that you accept that some people will always pressure you to change. You’re doing something that is not concrete for logical and non-creative people. They will always try to make you doubt yourself. Be confident and know that you are on the right path because you’re embracing the gift you’ve been given.

– Don’t be so hard on yourself

I see so many artists beat themselves up because they feel like they are not ‘normal’ or not ‘good enough’, that their art is not worthy. I believe we can use negative emotions to fuel creativity. However, as an artist, its important to take the time to identify your emotions and see the kind of impact it has on your creative process. Check out ‘emotional intelligence’ if you’d like to get further information on this topic!

by Charlotte Gomes 08-04-2016

 

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THE ESSENTIAL KEY TO SUCCESS

The greatest lesson I’ve learned over the years is that the essential key to success is Keeping Your Word.

If you’re an entrepreneur or an artist and you’re working with a team of people, the key words to your success are: Integrity, Trust and Respect. So how do you lay the foundations of your success? By doing what you say you would do. 

Yes, it’s as simple as that. You stay reliable and trustworthy even for the things that you think are insignificant because you never know they might be important to someone else and it could make a big difference for the development of your relationship / project. So when you say you’re going to email/call someone before ‘Thursday’ do it by Thursday, I know it might sound a bit harsh but reliability and timekeeping are the tools to build trust and that’s where your focus should be.

So the big question here is: what prevents us from keeping our word? I think that most of the times it’s due to ‘overcommitment’. If you’re anything like me and tend to be enthusiastic about new ideas/ and projects then there will come a time when you realize you said yes to a project but you cannot dedicate yourself to it  because of lack of time and priority. I’ve been there – it happens, but that’s why it is always good to think twice before saying yes, learn to prioritize and do what’s more beneficial for you and your career. It’s a matter of respect for you and the person you’re working with.

The music industry is tough but know that you can stick to your moral principles and still achieve your goal. Know that integrity and honesty will always get you farther in life.

Yasmine Van Wilt

Yasmine Van Wilt – Empowering Music and The World



 

By Sean Stroh

Yasmine Van Wilt is a North-American singer-songwriter, writer and actress. She’s completed a PhD in Creative Writing and is a Fellow of the Royal Society of the Arts.A musical chameleon, she records under her own name and under the name of her two alter egos, Elle “A” and Antoinette.

While Yasmine Van Wilt’s band, Van Wild, just released a new album, it would be an understatement to classify her as simply a musician.

In fact, when she’s not in the recording studio, you can probably find her writing a new stage play, serving as an official Canadian ambassador of #ClimateAction or helping release her late Father’s book and spoken word project, Innocence and Awakening.

“I think being bullied as a child and having lived below the poverty line for much of my youth certainly incentivized me to aspire to create more, to prove something, initially, to my bullies, but ultimately to myself,” Van Wilt said. “The drive transitioned when I went to university and I wasn’t bullied anymore. I stopped being driven by the desire to be accepted, and I started feeling propelled by the desire to make the world a little better with art.”

As a musician, Van Wilt’s latest record The Cherry Tree offers a similarly diverse portfolio of genres ranging from the blues and folk, to country and rock, all of which highlight her low, rich vocals. Though straightforward in a sense, the tracks challenge mainstream representations of women and offer complex, powerful heroines as its primary characters.

“I’m all about empowering narratives for women. I wanted to create music that could play on Top 40 radio stations but also says something, that isn’t dumbed down or assumes my audience isn’t smart, capable and dynamic,” she said. “I think my audience is kick-ass, brilliant and fucking capable. I hope they hear that in my music.”

Van Wilt also managed another project while simultaneously recording The Cherry Tree. Although her father published a great deal of poetry, he had few collections of his writings printed for the public to read. When he was diagnosed with brain cancer a year ago, Van Wilt knew she had to take matters into her own hand.

“His publisher, Paulette Millichap, was extremely supporting of publishing a two-book collection of his work and I became the editor and producer of the entire project. I felt that we needed to do a spoken word version as well since it would increase the audience for the work. It is, as it happens, the only professional recording I have of my father’s voice.”

Despite having already accomplished a long list of musical, political and personal projects, Van Wilt claims she’s just scratching the surface of her potential.

“My father was my biggest supporter and losing him has been quite a blow, but I am motivated by the tremendous support and belief he had for me to somehow make him proud which I know is a silly sentiment. I’ve overcome these disadvantages by throwing myself into my work,” she said. “I typically tend to overcome challenges by going into over-drive and forcing myself to produce work that processes my emotion, even if it’s overwhelming. I know many others are battling similar foes so feel empowered by turning my loss and challenges into productive opportunities to hopefully make others feel empowered.”

Check out Yasmine Van Wilt’s music and find links to her social media through her website (www.musicbyvanwild.com).


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Big City Brian Wright is set to take off



 

Introducing Up and Coming country singer-songwriter from Nashville, Brian “Big City” Wright. He recently released his first full length album Honkytonkitis and still maintains a day job that requires he be 30,000 feet above the air.

Many aspiring artists find themselves waiting tables on the side in order to pay rent.

Country singer-songwriter Big City Brian Wright gets to fly airplanes.

“I don’t know another commercial airline pilot who is doing what I’m doing which is why I consider myself the first ‘Singing Pilot,'” Wright joked. “It worked for Jimmy Rogers as ‘The Singing Brakeman’ and Roy Rogers as ‘The Singing Cowboy’, so why not?”

Although the rising country artist from Nashville has achieved several career milestones this year, his musical journey experienced its fair share of turbulence along the way.

In fact, it wasn’t until after 9/11 that Wright actually began playing music regularly.

“The airline business was in a major shakeup and I didn’t know whether I would have a job. I was single, flexible and kind of bored to be honest,” he recalled. “All of my energy had been put into my career until that point. For years, I tried to figure out how to afford to do music full time and eventually just started doing it anyway.”

Following a long night of drinking, Wright convinced his buddies that chasing girls in uppity clubs would be fun for only so long.

Why not form a band? At the very least, they could hear the music they wanted to hear, get some free beer and of course, have the girls come to them.

“I met my wife during our very first gig,” Wright said. “We’ve been together for 15 years. I win.”

While Wright found his spouse rather quickly, developing an album proved to be an entirely different experience. If anything, it was Wright’s willingness to endure and refusal to settle that shaped the authenticity of the songs featured on his first full length album Honkytonkitis.

I never forced any song I wrote. After 10 years of writing, I was looking back at these unrecorded tracks knowing I would forget how they went if I didn’t record them,” Wright said. “So I reached out to some professional session players that I knew in Nashville and they invited me to record with them in probably the best studio in town. I did this for a couple of years before slowly letting people hear the music.”

Many of those who heard Wright’s tracks walked away so impressed that they offered to pay for the music. As the demand increased, he eventually set up a website and began selling his songs, albeit to a small sample of listeners.

“Everything kept evolving until I had this whole album,” he said. “I just kept following this path that really started from a love of country music.”

That genuine affection for the genre recently caught the attention of iHeart Radio’s Digital Artist Integration Program, which placed his single “Lonesome, On’ry and Mean” on 128 stations with over 240 million monthly listeners for the entire month of June. The cover of the Waylon Jennings country classic charted rather quickly, beating several other major label artists in the process.

“I’m not going to lie, the competitive side of me enjoyed it so much. My music is different and can compete,” Wright admitted. “I know what country fans want to hear.”

In the meantime, the self proclaimed singing pilot has a simple, yet challenging goal in mind for the future with two more albums of material ready to record.

“I just want to keep all this momentum going. I feel like a bottomless pit for creativity,” Wright said. “Pilots are naturally very Type A, self motivated and somewhat courageous people. When you’ve been in a tricky situation more than once where didn’t know whether you were going to live or die, standing on a stage singing songs seems pretty harmless.”

Check out Big City Brian Wright’s music and find links to his social media through his website (www.bigcityrocks.com).

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THEY CALLED HIM ZONE LAUNCHES JUST FALL FREE DOWNLOAD SINGLE



Rising from the dark and dangerous ashes of the recent ‘Miami’ EP release, British dark-wave/electro/indie act ‘They Called Him Zone’ return with a new free download single and announce a fresh EP will be landing later in 2016.

Once again hatched from their basement studio in Bradford (UK), ‘Just Fall’ is the latest offering and laced with psychedelic edged hypnotic dark wave grooves, electronic beats, raw melodies and the menacingly laid back vocals of TCHZ creator Mik Davis. Described in imaginative terms by the artist – ‘Just Fall’ is the equivalent of ‘having an acid trip in a locked box, in pure darkness whilst been fed Galaxy chocolate through a small mouth hole. Tasty yet constricting’.

The track, which appears on the forthcoming EP ‘Crow Swan Wolf’, features the guitar mayhem of TCHZ’s new arrival and collaborator Steve Malony (Blood Devine/Vicious Cabaret). Steve describes the process of how the song evolved: ‘We shared a bottle of wine at Mik’s one night and he played me the songs he had. It seemed we were moving along similar lines in terms of the sort of music we were interested in making – sultry electronica combined with chewed up modulated guitars. A couple of nights later we went down to his basement studio and laid some guitar on this cool track called Just Fall’.

 

Catch up with They Called Him Zone at  and

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